Because 200 Motels is a soundtrack, it has to tell a story. Zappa’s lyrics take on all aspects of a touring band. There are songs about groupies and cowboys, horrible cuisine, bad manners, good towels, and tuna. Because of the instrumental passages, snippets of dialogue, and other unorthodox compositions, those who are new to Zappa’s music might want to get more acquainted with his overall style. You do get sexually explicit comic turns, and some strangely memorable melodies, but you might also get overwhelmed. Zappa fans, of course, can dive straight in and relish the unbridled experimentation.
After hearing the libretto for songs like include “Half a Dozen Provocative Squats,” “Shove It Right In,” “Dental Hygiene Dilemma,” and “Penis Dimension,” some members of the Royal Philharmonic Orchestra were taken aback by the lyrics, calling it “filth for filth’s sake,” and bowed out of a concert of the film’s music scheduled for the Royal Albert Hall that year.
The remastered soundtrack is laid out on Discs 1 and 2. The second half of the second disc includes demos, studio outtakes, demo outtakes and unreleased alternative takes of songs like the “Road Ladies” and “Tell Me You Love Me,” which can also be heard on Chunga’s Revenge and Tinseltown Rebellion. The “Dialog Protection Reels” is spread out over Discs 3 and 4. Here we get the spoken word bits, which reveal a slightly different early version of the story the film wanted to tell. Disc 5 and 6 present unreleased outtakes, some from the Trident Studios sessions of February of 1971, it includes music that did not make the film, or the final soundtrack album. There are also alternates and historical nuggets sequenced in the order of the original shooting script.
The packaging is impressive. The six-disc set comes in a 64-page hardcover book, which replicates the original record’s booklet. Inside are new liner notes from Pamela Des Barres, Ruth Underwood and Joe Travers. There is also a lot of never-before-seen artwork, stills and images, both from the film and its production. The more fun bits are a “200 Motels” keychain and “Do-No-Disturb” motel door hanger.
Written by Zappa, who co-directed with Tony Palmer, the film 200 Motels caught the anxieties and boredom of life on the road that led to extracurricular activities like rock stars throwing TVs out of hotel windows. Or, in Keith Moon’s case, driving a car into their swimming pools. The Who’s drummer brings his chaotic energy to the film, in the role of a Hot Nun. He was brought in by Ringo Starr, who plays Zappa as a large dwarf in the film. Rance Muhammitz, played by veteran actor Theodore Bikel, is the master of ceremonies in the movie. Right after his opening announcement we hear fully modern music for orchestra and percussion, and Underwood is having a blast of a bash. Like an opera, Zappa composed the music, wrote the libretto, designed the stage, teased the actors, and edited the film. 200 Motels film was shot in 10 days with a budget of around $650,000 from distributor United Artists. Released in October 1971, the film mixed skits, animation and performances, and was roundly panned and ignored as excessive.
The music is timeless, 200 Motels is as relevant today as it was when filmed. “Strictly Genteel,” “Tuna Fish Promenade” and “What Will This Evening Bring Me This Morning” are classics. The stylistic mixture brings subtle surprises. “A Nun Suit Painted on Some Old Boxes” is a choir and orchestra. “I’m Stealing the Towels” is atonal with varying meters. It begins as chamber music, but grows to include the full orchestral. Flo and Eddie don’t sing in unison, nor do they stick to traditional harmonies. Their lines are never identical, but complementary. Musicians still haven’t caught up with “Lucy’s Seduction of a Bored Violinist & Postlude.”
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